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Eb major · Camelot 5B · 129 BPM

Come Back Baby

by Ray Charles

129
BPM
Eb major
Key
5B
Camelot
59
Danceability
91
Acousticness

The record earned a chart hit despite starting life as a B-side. When Ray Charles released his version in 1954 under the shortened title "Come Back," as the flip side of "I Got a Woman," the song picked up airplay and climbed to number four on the R&B singles chart. Charles, the pianist and singer known to fellow musicians as Brother Ray, also took the songwriting credit, which remained on the track even after it reappeared as "Come Back Baby" on his 1957 album Ray Charles.

The song itself had older roots. Walter Davis, a blues singer and pianist, wrote and recorded it in 1940. Charles's Atlantic-era recording reshaped it into something of his own, part of the work in which he blended blues, jazz, rhythm and blues, and gospel into the music that helped pioneer soul during the 1950s.

Other musicians kept returning to it across the following decades. Lowell Fulson recorded it in early 1950, and Lightnin' Hopkins and John Lee Hooker each cut multiple versions. Stevie Wonder included one on his 1962 album Tribute to Uncle Ray, while Dave Van Ronk performed it solo on guitar for his 1963 Folkways LP Folksinger. Aretha Franklin recorded a faster-paced take for her 1967 album Lady Soul, and Hot Tuna closed out the decade by putting it on their 1970 debut. Johnny Winter later featured it on his 2011 album Roots, with John Medeski on organ.

Come Back Baby runs at 129 BPM, the tempo of house, disco and most club dance music. In classical terms it sits in allegro territory. A bar of 4/4 lasts 1.86 seconds, and a quarter-note delay is 465 ms. It is in Eb major, Camelot 5B, which shares its notes with C minor and mixes cleanly with Ab major and Bb major.

We use multiple sources as part of our online research for the song story including Wikipedia.

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